Jumat, 11 April 2014

## Ebook Bessarabian Stamps: Stories, by Oleg Woolf

Ebook Bessarabian Stamps: Stories, by Oleg Woolf

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Bessarabian Stamps: Stories, by Oleg Woolf

Bessarabian Stamps: Stories, by Oleg Woolf



Bessarabian Stamps: Stories, by Oleg Woolf

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Bessarabian Stamps: Stories, by Oleg Woolf

Reminiscent of Bruno Schulz’s Street of Crocodiles, Oleg Woolf’s Bessarabian Stamps — a cycle of 16 stories set mostly in the village of Sanduleni — is a vivid, surreal evocation of a liminal world. Sanduleni’s denizens are in permanent flux, forever shifting languages, cultures, and states (in every sense of the word). Woolf has relocated magical realism to Moldova. With the turmoil in current Russia and the post-Soviet world, Bessarabian Stamps emphasizes the absurdity of the mundane.

  • Sales Rank: #2247565 in eBooks
  • Published on: 2015-02-16
  • Released on: 2015-02-16
  • Format: Kindle eBook

About the Author
Oleg Woolf was born in 1954 in Moldova, and passed away in 2011 in the United States. A physicist by training, he spent a number of years on geophysical expeditions throughout the former Soviet Union. Along with his wife, Irina Mashinski, he was the founder and editor of the bilingual press Stosvet and its journal Cardinal Points.

Boris Dralyuk holds a Ph.D. in Slavic languages and literatures from UCLA, where he lectures on Russian literature. His work has appeared in various literary and academic journals. He is the translator of Leo Tolstoy’s How Much Land Does a Man Need? (Calypso Editions, 2010), the cotranslator of Polina Barskova’s The Zoo in Winter: Selected Poems (Melville House, 2011), and the recipient of the 2011 Compass Translation Award. His study of Russian popular detective stories, Western Crime Fiction Goes East: The Russian Pinkerton Craze, 1907-1934, is available from Brill. He lives in Los Angeles.

Most helpful customer reviews

3 of 3 people found the following review helpful.
Surreal Things Keep Happening in Bessarabian Stamps
By Shelley R. Sadin
Surreal things keep happening in Oleg Woolf’s Bessarabian Stamps, a collection of riveting short stories, or more exactly enigmas.

For example, one day Ursuleana notices he’s been sleeping with the window open. He stares (or “lingers”) puzzled at the opening, smokes some cigarettes, and receives a visitor who silently repairs his telephone.

Then an anonymous bureaucrat calls to ask him to open the window. Ursuleana and the bureaucrat are edgy and have difficulty communicating. Because the window is already opened, Ursuleana reports that he hasn’t opened it -- which seems vaguely disrespectful, perhaps criminal. At the end of the conversation the bureaucrat says, “Consider yourself lucky. You got off easy. Now go live in peace.”

Next paragraph -- and presumably still in the middle of the night (or is it even night, we are never entirely oriented to issues of day or night, peace or war) a cadet -- perhaps associated with the bureaucrat -- appears at Ursuleana’s house in a threatening kind of house check. It’s a bit of Kafka and Putin.

The cadet checks to see whether the window is open, confirms it is, then leaves.

Later that night the phone rings and Ursuleana ignores it, letting it ring. Then he closes the window. When he awakes in the morning the window is once again open. The story ends with Ursuleana glancing out on the street and seeing “There was no one out there.”

We’re in the skillful hands of a Moldavian writer living in some kind of murky world of not-quites.

The world is not quite populated in the way an American reader would think of as having population. There is no compass telling us what is going on, no clarity of people or activities. Rugs are pulled out from under us, and then rugs under rugs. A fun house of oddities.

Reading Bessarabian Stamps I felt like I lost my balance and couldn’t find my footing. The sensation was strange but intriguing.

1 of 1 people found the following review helpful.
The people and the place will leave any curious reader profoundly satisfied and enlightened in the shadow of repetitive uncertai
By P. Holzman
Upon delving into Bessarabian Stamps, I immediately experienced what translator Boris Dralyuk had communicated in is preface. "So much is born of so little." Immediately, I confirmed the beauty of this unison of shortness and dept. This fact challenged my reading while I struggled to maintain a coherent and linear understanding of the 16 mini narratives due to characters with interchangeable names and seemingly ambiguous occurrences in their own lives. However, I managed to advance in the reading and began to sense Oleg Woolf's mundane rhythm and the harmonious predicament of a community in limbo with no desire nor energy to be emancipated.
Woolf's descriptions of the town sustain each story and healthily compliment the interpersonal treatment between the characters and their town. They embellish each individual’s temperament and simultaneously, these temperaments become the crux of book and its flow. In many instances Woolf intertwines S'nduleni into the DNA of each character, while each character weaves their self reciprocally back into the town, thus showing that a place refuses to exist without those who inhabit it. S'nduleni has been precariously governed and manipulated by numerous regimes of rule throughout its history. It has seen it's borders morphed and moved numerous times deeming lines on a map as superfluous to its denizens that were either included or omitted by the busy boundaries. In Woolf's S'nduleni the trains sigh and the lakes need no inspiration. The town's profile is ostentatiously ordinary. Its people are mysterious and their language creates a tone and mood that is so unique that at times it seems unbearable to the reader. Yes, their language and dialogues are unconventional and may dizzy the reader, but they are the cogent themes of a people and region that have been dizzied by their own history. This consequently tends to lead the reader to believe that neither the region nor its people seem to fret over the ambiguity of their nationality or borders. But as the characters interact throughout each stamp, their ho-hum and somber tone latently screams, “that is not so!”
To be repetitive, the characters' discourse is a reflection of their setting– and Woolf pinpoints that with his wit and pithy narrative. Many stories can help a reader visualize another world. Bessarabian Stamps unleashes years and depths of a town in only a few pages. The setting and its dwellers effortlessly compete for the role of protagonist. The reader does not see another world, rather experiences and idiosyncrasies of an unusual normalcy found in the interaction of the habitants in their town. The people and the place will leave any curious reader profoundly satisfied and enlightened in the shadow of repetitive uncertainty. Does the post physically arrive to S'nduleni? Are these Stamps of any veracity? This book is a door to a plethora of other doors, each providing a glimpse into a community and its people, where both refuse to reveal anything definitive about their shared predicament leaving the reader's imagination to excavate its depths.

2 of 3 people found the following review helpful.
It is a wonderful read, refreshing
By Aleksandra Karapetrova
In the context of recent representations of Russia, Bessarabarian Stamps, is a timeless piece of literature because it represents Russia for the culture derived from its rich language and multi-ethnic narratives. There is no one type of Russian culture--it is a conglomeration of very old traditions, Moldova being one of many. The stories are complex because signifiers will have multiple meaning in the book, requiring the reader to comb the text multiple times in search of the multiple tales coming from one short story. It is a wonderful read, refreshing, and moving.

See all 4 customer reviews...

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