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The Sword of Welleran and Other Stories, by Lord Dunsany
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Where the great plain of Tarphet runs up, as the sea in estuaries, among the Cyresian mountains, there stood long since the city of Merimna well-nigh among the shadows of the crags. I have never seen a city in the world so beautiful as Merimna seemed to me when first I dreamed of it. It was a marvel of spires and figures of bronze, and marble fountains, and trophies of fabulous wars, and broad streets given over wholly to the Beautiful. Right through the centre of the city there went an avenue fifty strides in width, and along each side of it stood likenesses in bronze of the Kings of all the countries that the people of Merimna had ever known. At the end of that avenue was a colossal chariot with three bronze horses driven by the winged figure of Fame, and behind her in the chariot the huge form of Welleran, Merimna's ancient hero, standing with extended sword. So urgent was the mien and attitude of Fame, and so swift the pose of the horses, that you had sworn that the chariot was instantly upon you, and that its dust already veiled the faces of the Kings. And in the city was a mighty hall wherein were stored the trophies of Merimna's heroes. Sculptured it was and domed, the glory of the art of masons a long while dead, and on the summit of the dome the image of Rollory sat gazing across the Cyresian mountains towards the wide lands beyond, the lands that knew his sword. And beside Rollory, like an old nurse, the figure of Victory sat, hammering into a golden wreath of laurels for his head the crowns of fallen Kings.
- Published on: 2015-02-23
- Original language: English
- Number of items: 1
- Dimensions: 10.00" h x .16" w x 7.00" l, .30 pounds
- Binding: Paperback
- 70 pages
About the Author
Edward J. M. D. Plunkett, the 18th Baron of Dunsany, was one of the foremost fantasy writers of the late nineteenth and early twentieth centuries. Lord Dunsany, and particularly his Book of Wonder, is widely recognized as a major influence on many of the best known fantasy writers, including J.R.R. Tolkien, H.P. Lovecraft, and C.S. Lewis. Holding one of the oldest titles in the Irish peerage, Lord Dunsany lived much of his life at Dunsany Castle, one of Ireland s longest-inhabited homes. He died in 1957, leaving an indelible mark on modern fantasy writing.
Most helpful customer reviews
21 of 22 people found the following review helpful.
Wielding the "Sword"
By E. A Solinas
It's been almost a century since the "Sword of Welleran" collection was first published, compiling the title novella with other stories by early fantasy writer Lord Dunsany. Now finally this collection is back in print, and new readers can get acquainted with Dunsany's elaborate prose and otherworldly plotlines.
The title novella is a robust story written in a delicate style -- it takes place in the city of Merimna, "a marvel of spires and figures of bronze, and marble fountains, and trophies of fabulous wars, and broad streets given over wholly to the Beautiful." It's a city that proudly remembers its mysterious heroes and past victories.
When the hero Welleran is killed, nobody can quite believe it. But he is dead, and when the dead hero finds that he is "but dreams," he decides to haunt a young sleeping leader named Rold, in the hopes that young Rold will take his (Welleran's) sword and attack their enemies.
In the other stories, Dunsany spins stories about the exotic city of Babbulkund, and how it was destroyed, about the exquisite dancing "Kith of the Elf Folk," about the death of Tom the highwayman and the three men who are having some fun with graves, the Book of Magicians, natural disasters having a chitchat, a hero pursuing a monster, and some of the most frightening ghosts imaginable.
Dunsany was one of the few fantasy authors who wrote before Tolkien, and his stories are still striking in their originality and beauty. Most fantasy writers just churn out bad quest novels of at least six hundred pages. Not so with Dunsany, whose stories are as exquisite as they are short, and whose stories about elves and brave heroes never seem cliched.
Except for the odd mention of pharoahs and archbishops, these stories could almost take place in another universe. Dunsany spins up elaborate pictures of cities that never existed and fairy creatures, without seeming trite. Instead, it feels like a book of lost legends, deities, history and myths that has just been dug up again.
His writing is almost as lovely as his world-building. At times it can be a bit formal, but not to the point where it seems rigid or bloodless ("Evening stole up out of mysterious lands and came down on the streets of Paris..."). He lavishes loving detail and quiet grace, even on the grotesque "sins" sitting in the laps of ghosts. Even the cutesy "Hurricane" is beautifully written, and has a poignant depth.
Lord Dunsany's "Sword of Welleran and Other Tales" is one of his most entrancing books, without a single dud story in the entire collection. An exquisite read.
8 of 9 people found the following review helpful.
Not just fantasy
By R. Budd
Lord Dunsany's writings are not just about fantasy but contain a deep insightful reading of the nature of mankind. Many (if not most) of his writings contain a message that is as pertinent today as when it was written. He is able to convey that insight wrapped in a language and prose of imagination, beauty and darkness all rolled into one. Everyone should read what the spider has to say about the beauty of mankind.
2 of 2 people found the following review helpful.
Dunsany Could Have Authored the Stories They Told in Rivendell
By Pop Bop
Everyone always starts articles and reviews about Lord Dunsany by observing that he was probably the finest British fantasy writer before Tolkien emerged. I have no quibble with that position. But a bit more needs to be added.
"Lord of the Rings" is, of course, the ultimate quest adventure, full of action and movement. People drink beer, perform noble deeds, sharpen their swords, rally for battle, and do heroic things in a vast and dangerous world. But in their quiet and contemplative moments they recount and reflect upon tales from earlier times, involving the ancient nobility of legendary heroes from barely remembered lands. Dunsany's tales feel more like those tales.
It is entirely fitting that, considering his time and circumstances, Dunsany's stories are a bit more formal, a bit sadder, a bit slower, a bit "older" feeling than "The Lord of the Rings", (and pretty much anything written since). His stories are more delicate, more ethereal, and feel more like marvels and wonders than they do histories. Most of the tales have dreamlike elements, although descriptions can sometimes be as sharp as glass. The best stories feel like they were remembered rather just than written. They can be gentle or feverish; they can be pointed or vague. There is poetry in the prose and strong visual elements.
These are not whimsical tales or fairy stories. This is not Victorian claptrap. These are tales filled with hard lessons and bright truths. They may be dreamlike, but these dream castles are made of stone. For all of their delicacy, these stories are written with crisp authority.
As I read these I kept returning to a different book, Jan Morris's Last Letters from Hav. Morris is one of Britain's most honored travel writers, and "Last Letters From Hav" is her brilliant book about Hav, an imaginary city-state that she created so convincingly that holiday makers clamored for flights and tours to the place. Hav feels exactly like the modern city that might have survived and grown on the ruins of one of Dunsany's cities. In a more modern form it has the same ethereal and insubstantial and romantic reality and solidity of Babbulkund or Merimna. So, for what it's worth as a genial suggestion, after this Dunsany volume you might want to bookend your reading experience with Hav.
Please note that I found this book while browsing Amazon Kindle freebies. I have no connection at all to either the author or the publisher of this book.
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