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Not the End of the World is Kate Atkinson's first collection of short stories.
Playful and profound, they explore the world we think we know whilst offering a vision of another world which lurks just beneath the surface of our consciousness, a world where the myths we have banished from our lives are startlingly present and where imagination has the power to transform reality.
From Charlene and Trudi, obsessively making lists while bombs explode softly in the streets outside, to gormless Eddie, maniacal cataloguer of fish, and Meredith Zane who may just have discovered the secret to eternal life, each of these stories shows that when the worlds of material existence and imagination collide, anything is possible.
- Sales Rank: #130088 in Audible
- Published on: 2015-02-05
- Released on: 2015-02-05
- Format: Unabridged
- Original language: English
- Running time: 421 minutes
Most helpful customer reviews
35 of 37 people found the following review helpful.
Strange and layered book
By frumiousb
The more I think about Not the End of the World, the more the book seems to mean to me. Generally, the progress works the other way around. It says a lot about Atkinson as a writer how powerfully the book manages to keep a hold on my mind.
Atkinson creates a layered confection of characters both real and mythic. They live in a time just bordering the apocalypse. The world in which they live is often shallow and full of troubles, but is beautiful in contrast to the great pit of nothing waiting past the implied boundary. It is not an uplifting book, and when I finished it I was left with a feeling of bleakness. This is time out of time, and it is more frightening than hopeful.
While I do not expect a book to give up its secrets too easily, it did sometimes feel as though Atkinson were being deliberately obscure. Several of the stories had the feel of letters that you find in the street, or a conversation half heard around the corner. She was not generous with the doors into to the developing project of the book. As a reader, there were times when I would have appreciated just a wee bit more transparency.
This is the first Atkinson that I have read. It will not be the last.
22 of 24 people found the following review helpful.
Not Atkinson's best, but a grand ride nonetheless
By Bookreporter.com
I'm willing to bet that Kate Atkinson didn't color inside the lines when she was a little girl. She's a born subversive, and her charming, alarming, crazy quilt fiction catches the reader off-balance. "Normal" categories get messed with: Realism morphs without warning into fantasy; past, present and future are melded and skewed; people are never quite what they seem. These qualities shone in her first and most brilliant book, BEHIND THE SCENES AT THE MUSEUM (the Whitbread Book of the Year in 1995), as well as in two other novels (HUMAN CROQUET and EMOTIONALLY WEIRD), and they are equally evident in NOT THE END OF THE WORLD, a collection of 12 stories.
The narratives are neither clearly connected nor totally distinct (Atkinson doesn't do anything conventionally). Occasionally she recycles characters: The sullen adolescents whom she evokes with absolutely perfect pitch in "Dissonance" reappear, a few years older but still obnoxious, in "Wedding Favors." More frequently, though, a featured player in one story becomes a peripheral character in another; members of the Zane family, a large American clan, thread their way in and out of several tales, as do a self-absorbed celebrity mom and a nanny who is a worthy successor to Mary Poppins. Detecting these links is wonderfully diverting for the reader --- kind of like a Chinese puzzle --- and it also has the effect of unifying the collection. Atkinson's people all seem to inhabit more or less the same eccentric universe, which is Scotland (she lives in Edinburgh) and at the same time another place: more mysterious, less nameable.
Usually I prefer my "magical" and my "realism" well separated, like carrots and peas on a dinner plate. But Atkinson is so adept and her narrative voice so persuasive that after a while I began to enjoy the sudden shifts from ordinary life to fairy tale, from anxiety to horror, from a bad day to the end of the world. Perhaps her inspiration here is the cult show Buffy the Vampire Slayer (to which the characters in several stories are hopelessly addicted), an odd hybrid of teen TV fare and spookier, more complex life-and-death drama. Take "Temporal Anomaly," wherein a lawyer named Marianne has an unusual out-of-body experience, or the amazing consequences when a woman without a boyfriend adopts a stray in "The Cat Lover." Often, the realistic side of her stories involves broken families and deserted children. In "Tunnel of Fish," "Sheer Big Waste of Love" and "Unseen Translation," we encounter three small, wise, almost painfully controlled boys who are among Atkinson's most touching inventions.
What I didn't like was the epigraphs that precede each story. They're wildly eclectic, ranging from Buffy to Emily Dickinson to classical sources (including untranslated Greek!), but does the book really need another layer of possible meaning? They struck me as irritating rather than enlightening, like program notes that over-explain instead of letting the work speak for itself. And because some are highly esoteric, they give the mistaken impression that you must have a daunting level of scholarship in order to gain entry to the book.
The stories in NOT THE END OF THE WORLD are, in fact, completely accessible --- with the exception of the first and the last, "Charlene and Trudi Go Shopping" and "Pleasureland," intentional bookends for the collection. On one level, these two tales are simply a big fat ironic play on the title phrase, since what's happening is that the world (as we know it) is ending: weather anomalies and epidemics and warfare and no more radio or TV or food, zoo animals running riot and museums left unpoliced so "people wandered in and took the artifacts and used them to improve their interior décor."
The Charlene and Trudi stories (in both cases, they are the sole characters) are a weird cross between high-literary minimalism and a high-end shopping list, itemizing everything from tea to perfume to fabric. Atkinson seems to be pointing out how little "stuff" matters when it comes to the apocalypse, while at the same time glorying in the sheer sound and texture of words and objects. She also jams in a great many references to themes and people mentioned in the rest of the book, as if Charlene and Trudi's dying days (and dying world) contain and transcend everything else. None of this really works --- and it is particularly discouraging to encounter it right off the bat (I almost threw the book across the room). My advice: Skip Charlene and Trudi until you've read everything else.
NOT THE END OF THE WORLD is a grand ride, but I don't think it is Atkinson's best. Too many of the stories, despite their obvious virtuosity, wind up getting by on the author's sarcastic, fantastic riffs and juicy language. She could (dangerously, for her own development) be typecast as wacky rather than deep. I hope she writes another novel next --- preferably about a small boy with profound dignity and a well-concealed longing for love.
--- Reviewed by Kathy Weissman
11 of 11 people found the following review helpful.
Too clever, or not clever enough?
By shoemuse
It wasn't until I read the reviews here about "Not the End of the World" that I "got" what Kate Atkinson was trying to do. I went back and re-read the book with an eye toward the myths and the wrapping together of several characters across different stories. To be honest, even the second time around I was not that impressed with the stories. Yes, Kate Atkinson has a unique voice, one I loved in "Behind the Scenes at the Museum". Here, though, I felt like there was an inside conceit that was inaccessible to the reader. It's been a while since I took Latin, so it would've been nice to have the quotes translated. Atkinson teases us with characters that I would've liked to have seen more developed. It was difficult to muster up sympathy for the characters. Overall, if you are a fan of Atkinson's writing I'd say buy this. If you are approaching Atkinson for the first time, you are better starting with "Behind the Scenes at the Museum."
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